Animation still of an overview of the tapestry.

Animation still of an overview of the tapestry.
Experimental animation
Duration: 10 min
Director: Simone Hooymans
Concept, drawings and animation: Simone Hooymans
Producer: Turid Rogne
Animation and special effects :Hans Pulles
Music composer: Mari Kvien Brunvoll
Sound design: Jørgen Træen
Financiers:
Vestnorsk Filmsenter, Norsk filminstitutt, Fond for lyd og bilde
Animation still of the weaving bees
animation still of the bee garden.
Animation still of the sea of polution.
Animation still of the world filled with fire.
A modern vision inspired by an old religious story.
The perpetual tapestry is an experimental animation about the cycle of hu- manity with all its decay and reconstruction, explored in a lively and colorful fantasy of a living and moving tapestry where the bees play a significant role.
In an animated woven tapestry, reminiscent of the ancient gobelins, both grotesque and beautiful at the same time, the struggle and recovery of life is being shown. The tapestry is constantly in the process of being woven and repaired by the bees who are pulled and gathered the threads.
The bees are dedicated to unravelling the truth of our life cycle, and may also symbolize humanity, time and history, and our shared desire to make sense of it all. With every new woven cycle, the imagery of the weave is transforming through different stages.
This is a modern, fantasy version of an old religious story. A time loop that we are trapped in. Even when we get the chance to finally change it, we seem to fail. This fascinates me deeply, yet strangely enough also gives me hope:
Hope that we do get this new chance every now and then, although the chances for success are little. Hope makes life!
Is the world heading towards its doom?
Perhaps the underlying fear in such a question is a bit exaggerated, but I must admit I feel quite crushed by all the bad news these days. What is the world coming to?
But when I worry about the future, I often turn to art history to search for ways to interpret what is happening around us. There I find a lot of comfort and inspiration to create my own art, investigate my worries artistically, and try to understand what is happening in the world on a deeper level.
While developing this film idea, I have been studying the medieval art of tapestry weaving. Especially, the great Apocalypse-tapestry in Angers in France has been a great source of inspiration. In fact, all the time since art college in the Netherlands, this old art has been a visual source of inspiration for my own style in drawing.
Now I feel it is time to revive this ancient way of interpreting history and telling stories visually, by employing it into my own artistic expression in experimental animation.